Balancing Profit and Integrity
Beyond the PostMay 03, 2024x
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24:4219.81 MB

Balancing Profit and Integrity

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In this episode of Beyond the Post, Robb Dunewood and Bodie Grimm delve into the complexities of paid and sponsored content, sharing their experiences and insights on maintaining authenticity and audience trust. They discuss the challenges of balancing commercial opportunities with editorial integrity, stressing the importance of aligning content with audience interests and practicing transparency in promotional activities. Robb and Bodie highlight the significance of ethical considerations and audience engagement in navigating sponsorships, emphasizing collaboration and authenticity in content creation. Through their discussion, they provide valuable insights on handling interviews, ensuring content quality, and upholding editorial standards in the evolving landscape of sponsored and paid content in content creation.





Hosted on Acast. See acast.com/privacy for more information.

[00:00:00] Grimm, I'm Rob Dunwood and I'm Bodie Grimm.

[00:00:32] In this episode of Beyond the Post, we dive into paid content versus sponsored content,

[00:00:37] the pros and cons of each.

[00:00:38] And if one or both may be right for you and your audience.

[00:00:42] So Bodie, it's been a second since we've actually recorded an episode.

[00:00:47] I'm excited because we have some things going on in the background.

[00:00:50] You want to tell the folks what we actually did today?

[00:00:54] When I say we, I really mean you because you're the one that was up two o'clock in

[00:00:56] the morning.

[00:00:57] No, sir.

[00:00:58] It was we.

[00:00:59] It was we.

[00:01:00] We actually officially launched the show.

[00:01:02] Now when you listen to this, dear audience, it's we have, we'll have launched the show

[00:01:07] for a couple of weeks.

[00:01:09] But yeah, this has been a long time coming all the way since October.

[00:01:15] And one of the things that we wanted to do is we wanted to have a video version, which

[00:01:19] is on YouTube beyond the post HQ, if you're interested in that.

[00:01:23] And we wanted to have a podcast, which you can just search beyond the post and

[00:01:26] you can find that on your podcatcher of choice.

[00:01:28] But yeah, I'm, I'm super stoked about this Rob.

[00:01:32] So yeah, I'm excited, man.

[00:01:33] I went and I listened to the show on a two X feed.

[00:01:38] I watched the show on like 1.7 speed and yeah, I am your editing was on a point because

[00:01:46] I know for me, I am verbose.

[00:01:48] I like to talk a lot.

[00:01:49] So you just imagine it with the editing, sir.

[00:01:52] So I'm just happy that our show is up and going.

[00:01:55] And I'm also happy about this topic that we're going to be talking about today

[00:01:59] because it's one that I think a lot of creators is always in the back of their

[00:02:05] mind. It may not be the first thing that they're thinking about, but

[00:02:07] I would say that more creators than not ultimately start thinking about how to

[00:02:11] make some money off of what I'm doing.

[00:02:14] So we're going to be talking about a couple of ways to do that today.

[00:02:16] I was approached a couple of weeks ago by two very different organizations.

[00:02:22] One organization wanted to pay me to promote their project.

[00:02:27] So they wanted to sponsor the show, but they had a lot of stipulations.

[00:02:33] They had a lot of ways that I could make my show better and they had.

[00:02:40] I felt like they wanted way too much control.

[00:02:43] And the other thing about this particular organization in the, you know,

[00:02:49] world of EVs crypto is, you know, it's just involved in the world of EVs.

[00:02:56] You got Elon, you got crypto bros.

[00:02:58] You got EVs. It's just the way it is.

[00:03:01] So the project that they wanted me to sell was in that realm,

[00:03:05] but I didn't feel comfortable selling that on my show because I don't talk about

[00:03:09] that stuff. I don't feel like it has anything to do with what I do or

[00:03:14] what I want to be involved with publicly.

[00:03:16] Now, the second organization is an organization that once I found out

[00:03:20] who they were and what they were doing, I believed in and they contact me

[00:03:24] and they said, Hey, would you talk about this on your show?

[00:03:27] We can even provide somebody for you to interview and we'll pay you.

[00:03:31] Now, I actually did do the interview with that group, but I did not take the money.

[00:03:36] And that is more of a paid content type situation.

[00:03:40] And if you read blogs, you might see paid content and then there's an article.

[00:03:45] That's what that is.

[00:03:46] These people wanted to pay me to talk about what they were up to,

[00:03:52] what they were doing.

[00:03:53] And I just thought that would be really interesting to bring to the audience, Rob.

[00:03:58] So what are your thoughts on that?

[00:04:00] It's a good conversation because, you know, all monetization is not the same monetization.

[00:04:06] So let's talk about the first one.

[00:04:09] I am not a fan of commercials, you know, on a show.

[00:04:16] When I say commercials, I'm not talking about commercials within the show.

[00:04:19] I'm talking about the entire show being a commercial.

[00:04:23] It kind of reminds me of, you know, for those folks who remember those things

[00:04:27] that the mail would actually deliver to your house and you would open them up.

[00:04:31] They weren't books.

[00:04:32] They were magazines and, you know, you had all kind of content that you would

[00:04:35] read in the magazine that we now read on the Internet.

[00:04:39] But we would often see, you know, in those magazines and we definitely see

[00:04:43] this in print magazines today because they're trying to figure out ways

[00:04:46] to monetize and make money because subscriptions are down so much as that

[00:04:50] there would be a section.

[00:04:50] It might be six, eight, 10 pages long.

[00:04:54] And that whole section is sponsored by some vendor or some company.

[00:05:00] And, you know, they fly out, tell you that it is sponsored content,

[00:05:04] but it literally is a commercial to where it's not even necessarily written

[00:05:07] by the editorial team at the magazine.

[00:05:11] It is written by the company that is paying for the content.

[00:05:14] And correct me if I'm wrong, but it sounds like that first opportunity

[00:05:18] that was presented to you was something like that.

[00:05:20] It was where the company contacted you and they wanted you to create a show

[00:05:25] on your platform for their message where they actually had editorial

[00:05:31] control over what you said, how you said it, and they would approve,

[00:05:35] you know, after the edit was done.

[00:05:37] That sounded about right?

[00:05:38] Well, it didn't go so far as that, but that's the feeling that I got from it.

[00:05:42] There was it was a very long email about how I can make my show better

[00:05:46] and make their content fit into what I'm doing.

[00:05:49] And I'm not interested in that, Rob, you know me well enough by now.

[00:05:53] I making money is not my top priority in the world.

[00:05:58] And if it was, I probably would have taken their money,

[00:06:01] but I think it would have lost a lot of audience trust.

[00:06:05] As I said, I am not one of those folks who will get in anyone's pocket.

[00:06:09] So I do understand that there are there's content out there

[00:06:12] that this is how they monetize this.

[00:06:14] This is how it works and they have an audience and the audience seems to care for

[00:06:18] it. I think that, you know, you both you and I kind of come from

[00:06:21] the same kind of background with the type of content that we're creating

[00:06:25] where a lot of it is just built on trust on what we're saying.

[00:06:28] And, you know, you feel as confident doing a show

[00:06:32] where you are talking about the ills of a product as you do talking about,

[00:06:37] oh, this is really great. And anytime that you there's a payment

[00:06:41] arrangement that changes that, it just makes you kind of feel,

[00:06:45] you know, a certain way about providing that kind of content.

[00:06:48] So on that type of paid content, I like I'm not saying that anyone

[00:06:53] shouldn't do it for me in a type of content that I create.

[00:06:56] I'm just not a terrible, terribly big fan of that type of content.

[00:07:02] Yeah. And I should say we're going to use two different terms

[00:07:04] and they're they could be used interchangeably in this in this instance.

[00:07:09] So the for my use case, I'm going to say that paid content was

[00:07:15] the organization that I like that wanted to pay me just to do that one show

[00:07:19] and talk about what they were doing.

[00:07:21] And then the sponsored content, I know that this is probably a distinction

[00:07:25] without a difference is the company that didn't want anything to do with

[00:07:29] just so that we don't confuse the audience because I know that

[00:07:33] when you and I have talked about this, Rob, I have used both terms interchangeably

[00:07:37] and I don't think I've done a very good job differentiating the two.

[00:07:42] But I don't want to give the names of the companies for a variety of different reasons.

[00:07:46] One is I don't wish ill on the on the one opportunity I didn't like.

[00:07:50] I hope that they succeed.

[00:07:52] I don't wish ill on anybody.

[00:07:53] That's just not a right fit for me in my show. Right.

[00:07:57] Yeah. In fact, these terms can be used so interchangeably.

[00:08:00] I'm going to go the other direction.

[00:08:01] I think that when someone says, I want to sponsor your content,

[00:08:05] they're just saying, hey, we like what you do.

[00:08:08] We would like you to give us a shout out at some point during your show

[00:08:11] and say that we sponsored it, but you have complete 100 percent

[00:08:14] editorial control and you talk about whatever you want to talk about.

[00:08:18] The agreement is that you will mention that this show or this series

[00:08:22] was sponsored by company XYZ.

[00:08:24] So I call that, you know, sponsorship.

[00:08:26] Once again, that is also paid content.

[00:08:28] As I said, these are as you said, these terms can be used very interchangeably

[00:08:34] as compared to the content that is paid for.

[00:08:38] But there's editorial control by the people who are paying for the content.

[00:08:42] You will notice and this happens a lot of times on YouTube videos,

[00:08:47] particularly for people who are reviewing things.

[00:08:50] They will actually say, hey, I'm reviewing this device.

[00:08:54] Such and such is such company actually sent me this device for review.

[00:08:59] However, the interview is mine.

[00:09:01] They have no editorial control whatsoever just because they want to make sure that

[00:09:05] hey, I might, you know, although I'm just I received this device

[00:09:09] to review it from the company, I may be about to lay in bed,

[00:09:12] you know, to lay in bastard.

[00:09:13] And this is still going to go up regardless of the fact

[00:09:15] that they actually sent it out for, you know, for me to try out

[00:09:19] or that they actually may have sponsored the, you know,

[00:09:21] the episode that their device actually is being, you know,

[00:09:25] you know, being presented in.

[00:09:26] So I, and it's like I said, some people are going to say, well,

[00:09:28] that's a distinction without a difference, as you said, Boatie.

[00:09:31] But I see a difference in those things as long as you're maintaining

[00:09:34] your editorial control.

[00:09:37] I don't really have an issue with that type of content that you,

[00:09:42] you know, that I think you're referring to as pay content,

[00:09:44] but content where, you know, a sponsor is they're paying you

[00:09:50] to mention them on the show.

[00:09:52] But the show is still editorially controlled by you 100 percent.

[00:09:56] Yeah, it really to me, it really just comes down to what level of editorial control

[00:10:01] do you have over content that someone else is paying you to present on your show?

[00:10:08] In this, as I said, if it is they are saying, here's what you need to say.

[00:10:13] Here's how we want you to say it.

[00:10:15] This is how it's going to run.

[00:10:17] Like I said, I'm not knocking that that makes sense for a lot of creators.

[00:10:21] I think for you and I is just not necessarily what you and I are interested in doing.

[00:10:27] I see a distinction between that and content where you

[00:10:32] is the content that you normally create.

[00:10:34] And there is just a sponsor who says that we like what you're doing.

[00:10:39] Can you say our name?

[00:10:40] Can you say can you say ACME Corporation?

[00:10:43] You know, sponsored this show.

[00:10:44] The show is still yours.

[00:10:46] Is what you normally do in your show.

[00:10:48] It is just sponsored by a company that is allowing you to monetize and make

[00:10:53] it make a few dollars on the creation and the effort to go into creating your content.

[00:10:58] Yeah, and that that's a really good point.

[00:11:00] Like and I will say to your example when someone on YouTube says,

[00:11:05] hey, I was sent this and they have no editorial control.

[00:11:09] I'm going to review it.

[00:11:10] I'm going to say what I want about it.

[00:11:11] And they've agreed to that.

[00:11:12] They send it to me for free.

[00:11:14] Or maybe they paid me to review it.

[00:11:15] But the review is mine.

[00:11:17] There have been times that I've seen on YouTube where a company sent somebody

[00:11:21] with a bunch of restrictions and that person pushed back and they push back

[00:11:26] to the point where they were able to talk to a vice president.

[00:11:29] The vice president is like, what are you talking about?

[00:11:30] This is fine.

[00:11:31] Say whatever you want to say.

[00:11:33] So like if you get into that situation where you want to review a product

[00:11:36] or you want to talk to somebody or you want to talk about something specific.

[00:11:39] And but the company doesn't want you to do that.

[00:11:42] You could simply say no, or you could push back to the point where

[00:11:45] you get the answer that you want.

[00:11:47] Or you just agree that both of the parties involved aren't going to

[00:11:52] come to an agreement and you move on.

[00:11:54] But if you really want to do that, a particular post or video or whatever,

[00:12:01] you don't have to agree to their terms immediately.

[00:12:03] You can push back and it's OK if they say no, it's OK if you say no.

[00:12:08] But if you push back, you might get what you want.

[00:12:11] The other thing is that follow your gut.

[00:12:16] If it makes you feel icky, it's probably that's something you want to do.

[00:12:21] It really comes down to like that.

[00:12:23] It's like, I don't know if I should do it.

[00:12:25] If you have consternation about, I don't know if I should be doing this.

[00:12:30] It doesn't feel right to you.

[00:12:31] You don't think it'll feel right to your audience.

[00:12:33] That's probably a sponsorship or a paid advertising

[00:12:38] opportunity that you don't want to actually partake in.

[00:12:43] So that's what I say, you know, and how does it feel to you?

[00:12:47] For me, I am big on I'm not changing the content of my show

[00:12:51] because you paid to have your name mentioned in the show.

[00:12:55] That is that is my Rubicon, so to speak.

[00:12:58] I'm not willing to go beyond that.

[00:13:00] As I said, that is not the case for everyone.

[00:13:02] And for some types of shows, that absolutely makes sense.

[00:13:05] You know, you know, Bodhi, one of the things that you you mentioned,

[00:13:09] you kind of glossed over, but I want to go back to it is that you said that

[00:13:12] in one of these cases, it wasn't just that they wanted you to do a show.

[00:13:16] They were willing to come on with you and actually have a conversation

[00:13:20] about the thing that they wanted covered on the show

[00:13:23] and actually pay you for the opportunity to appear in your show.

[00:13:26] And you said, well, yeah, I'd love to have you come on

[00:13:29] because this is absolutely content that my audience would, you know,

[00:13:31] would love to hear, but I'm not going to charge you for it

[00:13:34] because that just makes that makes the conversation a little bit different.

[00:13:37] So can you explain what made you go down that, you know, down that road

[00:13:41] as to bringing them on but not actually charging them for their episode appearance?

[00:13:46] So, Rob, you've been doing this for a very long time, much longer than I have.

[00:13:51] There are times when you think you're going to interview somebody

[00:13:54] and there's been several times across the the life of my podcast

[00:13:57] where I thought I was going to interview somebody and it was going to be

[00:13:59] a fantastic podcast and it was not.

[00:14:03] And in those in those moments, you have a couple of different choices.

[00:14:08] You can air the interview or you could not air the interview.

[00:14:12] It is completely up to you or you can air the interview with caveats

[00:14:15] at the beginning or at the end of the episode after the interviews complete.

[00:14:22] If I took money from these people and by the way, they were lovely.

[00:14:26] But if I took money from these folks and I did the interview

[00:14:30] and the interview was not what I wanted or it was a bait and switch or whatever,

[00:14:35] you name you name the problem.

[00:14:39] I would feel obligated to air that interview

[00:14:43] and on top of that, if by feeling obligated to air that interview,

[00:14:47] I would also feel obligated to let everybody know that I was paid to air

[00:14:50] that interview and I feel like that I would

[00:14:53] that would have a direct reflection on me and my credibility

[00:14:58] and my character in my audience's eyes.

[00:15:01] Like I don't even like using the word audience.

[00:15:02] I like using the word community because

[00:15:06] like the folks that are in the community for my other show, Kila Watt,

[00:15:10] they are people who help contribute to the show.

[00:15:13] Rob, you're on shows like this.

[00:15:15] They help contribute to the show.

[00:15:17] I see them as part of a community and not just as a passive audience.

[00:15:21] They're definitely people who are passive, but I have a very active audience.

[00:15:25] I have a small audience, but it's very active.

[00:15:27] So that relationship that I have with those folks in the community

[00:15:32] is really important to me.

[00:15:34] Like I rank it up there with the relationship

[00:15:37] that I have with friends and family because these folks didn't know me from anybody

[00:15:43] and they started listening to the show.

[00:15:46] They got invested in me and the show and what we talk about.

[00:15:50] And then they were able to contribute.

[00:15:52] And I'm always very good about giving credit when somebody does contribute,

[00:15:56] but they were able to contribute to the show and it kind of makes it a little bit

[00:15:59] in a weird way.

[00:16:01] Their show too, because they get to make the contributions.

[00:16:05] So if I took money from somebody and that show was awful,

[00:16:09] or they talked about stuff that I don't agree with,

[00:16:11] or they talked about stuff that I know my audience is going to revolt against.

[00:16:15] And I aired it anyway and I took that money and I cashed it cashed that check.

[00:16:20] That's going to hurt my credibility with my audience.

[00:16:22] And even though I don't make a lot of money on that podcast,

[00:16:26] that's it's not worth it to me to do that.

[00:16:28] That was a very long answer, Rob.

[00:16:30] You know what, Bodhi?

[00:16:31] I was thinking as you were saying, is that I know there's a section

[00:16:33] we want to actually talk about pros and cons, but I literally just think

[00:16:36] that you just illustrated a con of potentially taking money for an episode

[00:16:43] exquisitely. So I just kind of recap it.

[00:16:46] One of one of the cons could be that if you actually have someone pay you

[00:16:52] to make an episode appearance, there's more pressure for you

[00:16:56] to actually release that episode out into the ether when it may not meet

[00:17:01] your editorial standards.

[00:17:03] It may actually be something that you didn't think it was to where

[00:17:06] you thought you were actually interviewing someone and they came

[00:17:08] home with a very specific agenda and couldn't move off those points

[00:17:12] and it just turned out not to be great content.

[00:17:14] Well, you paid me for it.

[00:17:15] Do I still put it out or do we work something else?

[00:17:19] What is the contract?

[00:17:20] So I think that one of the cons could be just how you actually operate

[00:17:26] through a interview that you wouldn't ordinarily release.

[00:17:31] I guess that I've been doing this a while.

[00:17:34] It's rare.

[00:17:35] It is rare that I have recorded an interview and not put it out,

[00:17:39] but it has definitely happened because sometimes you just get folks

[00:17:42] on this, just not a good interview.

[00:17:44] Or as I said, that they thought they were doing an infomercial and

[00:17:48] every question that I asked somehow circled back to the thing specifically

[00:17:52] they wanted to talk about and not necessarily the questions that I was asking.

[00:17:55] So by not taking money, you can absolutely make sure that your

[00:18:00] conscience is clear by not putting out a piece of content that didn't live

[00:18:04] up to your editorial standards.

[00:18:07] Yeah.

[00:18:07] And I will say because if you're out there thinking folks, and I don't

[00:18:12] think this is what Rob was saying at all.

[00:18:14] Actually, I know this is the one he was saying, but if you're out there

[00:18:16] and you're interviewing somebody and they're not used to being on Mike

[00:18:19] and they're nervous and they're stuttering and they're stammering,

[00:18:22] but there are moments when they're pulling it together and giving you great

[00:18:25] content that's not a bad interview.

[00:18:27] That's just somebody who's not comfortable being on Mike.

[00:18:29] And that's okay.

[00:18:30] Like we need to be compassionate to those folks.

[00:18:33] But if you are like I had an interview just recently where some the person

[00:18:39] I was interviewing was like that.

[00:18:41] And to me, they kept apologizing.

[00:18:45] To me it was no problem at all because like I can take all that stuff out

[00:18:50] and I will make them look great.

[00:18:51] My job as the editor and the host of the show is to make my guests look great.

[00:18:56] I don't bring people on that I want to tear down.

[00:18:58] So those are no problems.

[00:19:00] So if you're out there thinking, oh, well, this is a bad interview

[00:19:03] because this person stammered and they used um too much and they took

[00:19:07] a long time to make a point, which is I'm guilty of.

[00:19:12] That's not a bad interview.

[00:19:14] It could be a bad interview, but if they've got nuggets in there,

[00:19:17] you just need to edit around that.

[00:19:19] Make your make your interviewee look good and more people will come

[00:19:23] and want to interview with you.

[00:19:25] I'm so glad that you actually made that point because you can use

[00:19:29] pieces of software like we're using right now, Riverside, that FM

[00:19:32] to do, to do a recording.

[00:19:34] And what are the cool things about the software is that it allows

[00:19:36] you to go in and remove your ums and your eyes and your

[00:19:39] stammers and so on and so forth.

[00:19:41] So that's one way to get around it, but you're absolutely right.

[00:19:44] I'm not talking about someone being nervous or someone doing their

[00:19:47] first interview.

[00:19:48] I am talking about those times when you think that you're interviewing

[00:19:53] someone and they had an absolute agenda.

[00:19:56] And this, this has happened to me.

[00:19:57] So I'm kind of remembering, you know, from personal experience,

[00:20:00] but I had someone come on the show where we thought we were going

[00:20:03] to talk about X, Y and Z and they wanted to talk about Roman

[00:20:05] numerals one and Roman numeral one only.

[00:20:08] And we literally couldn't move throughout the interview and talk

[00:20:12] about anything else because everything came back to the

[00:20:16] product that they ultimately were trying to sell.

[00:20:18] And one of the things that I am very adamant about when I bring

[00:20:22] some, you know, anyone onto my show, any show that I'm doing,

[00:20:27] the show is not necessarily for them to promote themselves

[00:20:30] to my audience.

[00:20:32] It's for them to deliver content that is going to benefit

[00:20:35] my audience.

[00:20:35] Sometimes both of those things can be the same thing,

[00:20:38] but when they aren't, you have to once again exercise your

[00:20:41] editorial, you know, you know, control over that episode.

[00:20:45] And if you can't steer it in the right direction, you may

[00:20:48] at the, you know, when you're in your edit just determine

[00:20:50] this is just not the type of content that I want to put out

[00:20:52] in front of my audience and not feel bad about not doing so.

[00:20:56] Yeah.

[00:20:57] So I had my first time I had this happen to me, Rob.

[00:21:03] I ended up putting out the interview because I thought it was

[00:21:09] good enough.

[00:21:09] And I did think there were moments in there that that were

[00:21:13] helpful to the audience, but whenever someone comes on my

[00:21:16] show, I always tell them that they'll have time to promote

[00:21:19] whatever they want to promote at the end.

[00:21:21] But they pitched me on a topic and the topic that I was

[00:21:25] pitched on was not what we got.

[00:21:27] Right.

[00:21:27] There was like, I would ask questions, he would answer it

[00:21:30] and then he would go back to these other things.

[00:21:32] Um, so that I was, I was so mad after that interview because we

[00:21:38] could have talked about great things.

[00:21:39] This person was the CEO of several companies that people

[00:21:42] have heard of.

[00:21:44] And, um, this, this would have been a, this would have

[00:21:48] been a slam dunk if they just could have like just had a

[00:21:54] conversation.

[00:21:55] But anyway, and then they would get to promote whatever

[00:21:57] they wanted.

[00:21:57] Uh, but, um, the next person that I had on when they emailed me,

[00:22:03] they're like the founder and CEO of this company wants to come

[00:22:05] on your show.

[00:22:05] And I was like, listen, I just had this experience if this

[00:22:09] person wants to come on and I'm just going to say his name,

[00:22:12] his name is Arcady from free wire technologies or DC charging

[00:22:16] company is like, if Arcady wants to come on, sauce enough.

[00:22:19] If he wants to come on, I'm happy to talk to him,

[00:22:21] but this has to be a conversation.

[00:22:23] I'm not going to like, we'll talk about your product,

[00:22:25] but this isn't going to be a commercial.

[00:22:28] And to Arcady's credit, he came, he comes on.

[00:22:30] I said, Arcady, hey, welcome to the show.

[00:22:32] We're not even interviewing yet.

[00:22:33] He goes, Hey, I understand you want this to be a conversation,

[00:22:35] not a commercial.

[00:22:36] I got you.

[00:22:37] No problem.

[00:22:38] And from that moment on for the rest of the interview,

[00:22:41] I was relaxed.

[00:22:42] He was relaxed and we had a great interview and it's one

[00:22:45] of my most downloaded and, uh, uh, a lot of folks who

[00:22:50] aren't into DC fast charging because it's a, that's a

[00:22:53] thing that only a few people really do.

[00:22:56] We're really interested and I got a lot of positive feedback

[00:22:59] because he was willing to come on and say, yeah, uh, we,

[00:23:03] we can just have this as a conversation.

[00:23:05] And honestly, I gave him way more time to talk about what

[00:23:08] he and his product and his business is doing than I would

[00:23:12] have normally just because of that.

[00:23:15] So buddy, I'm actually glad you had the opportunity to

[00:23:17] talk about paid sponsorships on your show and paid

[00:23:20] content on your show, uh, from two very different types

[00:23:23] of organizations, uh, with just two different, two

[00:23:26] different types of styles of content that, that you

[00:23:28] know, we're going to be created.

[00:23:30] So, you know, is there anything else that you want

[00:23:32] to add to that?

[00:23:33] Like, it seems, it seems like, you know, this is a

[00:23:35] way that a lot of shows can generate income for

[00:23:38] themselves, but I just think that you got to be

[00:23:40] careful with, you know, your editorial standards

[00:23:43] and making sure you're not crossing any lines

[00:23:44] when you do so.

[00:23:45] Yes.

[00:23:46] Yes.

[00:23:46] Uh, I don't really have anything else to add other

[00:23:48] than Rob.

[00:23:49] Uh, I don't know if you know this, but we have a

[00:23:51] Patreon, uh, and I'm not sure if our audience knows,

[00:23:55] but we're going to, we're going to dive a little bit

[00:23:57] deeper into both of these, uh, ways of making money.

[00:24:01] And we're going to talk about the pros and cons

[00:24:03] over in our Patreon, which is beyondthepost.fm

[00:24:07] forward slash Patreon.

[00:24:10] Absolutely.

[00:24:10] So go check us out over on our Patreon.

[00:24:14] So it's been a, it's been an excellent little

[00:24:16] quick show in between the post type episode for

[00:24:20] knocking out today and hope anyone, if you have any

[00:24:22] questions, uh, Patreon is a definitely an area where

[00:24:25] you can get ahold of us directly and have conversations.

[00:24:29] And once again, head over to beyondthepost.fm

[00:24:32] forward slash Patreon.

[00:24:33] That was P-A-T-R-E.